Diane von Furstenberg drew on a series of exotic wanderings for spring in a collection rich with bohemian beauty- the Nile, the desert, Orientalists and Indian temples... “She’s a desert queen,” said von Furstenberg in a preview of her girl, who, if the house-made painted laurel headpieces were any indication, also had a Greco-Roman thing going on. Then again, antiquity was yet another of von Furstenberg’s fixations; the late 19th-century painter Lawrence Alma-Tadema, who focused on classical images, fueled the color scheme of copper, gold, blue and green done with a dusty finish. Collection included Sosheba Griffiths of Saint International.
Fashion in Jamaica and the region exists, much to my annoyance, almost outside of an international aesthetic. It's my desire, then, to build a bridge between what is innately cultural, and the international industry, all the while highlighting trends and shifts within both spheres.
Monday, September 14, 2009
Diane von Furstenberg 2010 Spring/Summer Collection
Diane von Furstenberg drew on a series of exotic wanderings for spring in a collection rich with bohemian beauty- the Nile, the desert, Orientalists and Indian temples... “She’s a desert queen,” said von Furstenberg in a preview of her girl, who, if the house-made painted laurel headpieces were any indication, also had a Greco-Roman thing going on. Then again, antiquity was yet another of von Furstenberg’s fixations; the late 19th-century painter Lawrence Alma-Tadema, who focused on classical images, fueled the color scheme of copper, gold, blue and green done with a dusty finish. Collection included Sosheba Griffiths of Saint International.
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