Fashion in Jamaica and the region exists, much to my annoyance, almost outside of an international aesthetic. It's my desire, then, to build a bridge between what is innately cultural, and the international industry, all the while highlighting trends and shifts within both spheres.
Showing posts with label mulleavy sisters. Show all posts
Showing posts with label mulleavy sisters. Show all posts
Wednesday, February 16, 2011
Rodarte Fall/Winter 2011
Full of coats, a first for the Mulleavy sisters, the Fall 2011 collection from the house of Rodarte focused on a longer silhouette. Skirts were full and prim, dresses were ankle-length and most everything was brimming with some eye-catching colour of some sort.
Hot on the tails of their much-ballyhooed costuming for the hit film Black Swan, the two designers have never been hotter.
Inspired by the Great Plains and apparently the Terrence Malick film Days of Heaven, the models were turned out in nubby wool boucle suits, long duster coats with embroidered details, high-waisted trousers with fitted cut-out tops, Amish quilt motifs, and silk gowns with wheat prints. A cream floral lace and linen top paired with a circle skirt was a standout, and was so seamless it looked like a dress. Creams, yellows, oatmeal, and pale blue with occasional blacks and reds seemed more spring-like but warmer fabrics and coats undoubtedly indicated Fall.
Tuesday, September 28, 2010
Rodarte Spring/Summer 2011
Inspired by their native Northern California and its redwood forests, the Mulleavy sisters whipped up some wearable pieces this time around for the often avant-garde house of Rodarte.
From the very start, there was something decidedly different about this go-around. Maybe it was the lack of darkness, maybe it was the simple runway presentation... Whatever it was, one thing was for certain- the sisters didn't abandon their affinity to experiment with fabric treatment.
The designers hipped up bold wood-panel prints and leaf-like embroideries on sportswear, silk skirts and dresses. Eventually, the nature theme gave way to porcelain patterns. Shapes remained the same- 70's-style pants, layered skirts, button-downs and draped peplums. “
From the very start, there was something decidedly different about this go-around. Maybe it was the lack of darkness, maybe it was the simple runway presentation... Whatever it was, one thing was for certain- the sisters didn't abandon their affinity to experiment with fabric treatment.
The designers hipped up bold wood-panel prints and leaf-like embroideries on sportswear, silk skirts and dresses. Eventually, the nature theme gave way to porcelain patterns. Shapes remained the same- 70's-style pants, layered skirts, button-downs and draped peplums. “
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